Creative Strategist | Storyteller | Choreographer

I WORK IN ENVIRONMENTS WHERE STORIES COME ALIVE, NOT ONLY ON PAGES BUT THROUGH SPACES, EXPERIENCES, AND CULTURAL MOVEMENTS. I AIM TO ENGAGE IN PROJECTS THAT CONNECT DIFFERENT DISCIPLINES, PUSH BOUNDARIES, AND FOSTER SIGNIFICANT CULTURAL EXPERIENCES THAT INSPIRE AND CAPTIVATE AUDIENCES.

Core Expertise:

  • My work fuses creative direction with analytical precision, ensuring that storytelling aligns with institutional goals, audience behavior, and emerging trends.

  • Dance Techniques:

    • Contemporary Dance

    • Contact Improvisation

    • Rubberbandance Technique

    • Performance Art

    • Choreographic Development

    • Fighting Monkey

    • Flying low

    • Somatic techniques

    • Program Development

  • I specialize in transforming spaces into immersive narratives that engage and inform. Interpretation is about movement: how knowledge, memory, and identity flow between people, spaces, and histories. Working across arts, education, and design, I develop programming that enhances audience engagement, making culture tangible and interactive.

  • Fine Arts as a medium for dialogue, transformation, and innovation. With a foundation in choreography, my work emphasizes movement—not only in the physical sense but in how ideas, narratives, and audiences interact across spaces. I create immersive cultural experiences that evoke contemplation, and connect people to the evolving landscape of art and identity.

  • Storytelling is at the core of my approach to marketing—whether through digital campaigns, brand strategy, or audience engagement. I integrate artistic sensibility with data-driven insights, ensuring that every initiative is not just impactful but deeply resonant. Transforming audiences and the way cross-departmental collaboration enhances messaging, I build strategies that reinforce brand identity across multiple touchpoints.

  • Publishing is a choreographed interplay between content, design, and audience. Just as in dance, pacing, rhythm, and structure define the impact of a story. My editorial work is rooted in curation—selecting and shaping narratives that bridge intellectual depth with accessibility across cultures. The curation of the deeply personal naturally reaches the universal, creating stories that transcend borders while maintaining their authenticity.

  • Producing an exhibition, festival, or cultural event requires the same skills as staging a performance—vision, precision, coordination, and the ability to anticipate movement before it happens. I bring this mindset to project management, ensuring that every initiative is executed with clarity, efficiency, and creative excellence.